Detective Comics #1083: A Sky Full of Bats

Detective Comics #1083 is exciting and full of epic moments that will leave readers thrilled. A balance of tension building and grandiose scenes, this issue reminds fans why Batman has stood the test of time.

Up to this point readers have witnessed Bruce traverse in an isolated desert as he battles the Azmer taking over his mind. Like biblical stories of tease and torment from a sinister voice in a land of sand and solitude, it’s come to the final challenge and it’s clear—Batman will always prevail.

What has been consistently well done by writer Ram V is taking a unique approach to Batman and the supernatural elements that he comes across. In the span of 85 years as of this year, it can be hard to craft a story that feels unique while also staying true to the character. V continues his saga as he put physical and mental tolls on the Caped Crusader. What works so well in this issue is the last page. Without spoilers, all that can be mentioned is the sheer number of bats that are in the skies of Gotham.

The story is connected to V’s idea of a reality engine utilized by the Orgham Family to take control and manipulate minds into thinking the city is getting better. However, it’s clear that it’s not 100% effective and Renee Montoya (as The Question) is doing what she can to get to the bottom of what’s happening. It’s always nice to see this character as there are not often a lot of stories that include Montoya’s version of The Question and her role works well in the story as investigator.

Artists Riccardo Federici and Stefano Raffaele with colorist Lee Loughridge have created a beautiful issue. The two styles from the main story and “The Question” create a nice visual indicator as the stories are intertwined in the pages. With the interior pages being stunning, it is important to note that Evan Cagles cover is dark, ominous, and such a beautifully created work that stands out on shelves.

As with most Detective Comics issues, the back-up story plays a solid role in world building. In part three of Dr. Hurt, written by Dan Watters with art by Jorge Fornes and colors by Triona Farrell, the masquerade night that has played out over the past two issues comes to a crash for an ending that will have readers scratching their hands at what is truly reality.