Dracula: Blood Hunt: #2 Fangs vs. Horns

What does it take to be a superhero? After finding out in order to save the world she has to kill her father, Brielle Brooks (Bloodline) questions if she wants to be a hero. Dracula: Blood Hunt #2 opens with Brielle running through the New York City streets processing the news that she must kill her father, Blade, in order to save the world. With her mind spiraling with decision, it’s only natural she runs into Daredevil, who offers her life advice about being a hero. Their heart-to-heart is cut short as Dracula shows up, demanding that Brielle fulfill her destiny. But is he too late?

Danny Lore’s writing in this issue is absolutely impeccable. He does a fantastic job at balancing high intensity action with heart felt moments between Brielle and Daredevil. His characterization of the uncanny trio of Daredevil, Bloodline, and Dracula is amazing, and he writes a really compelling Daredevil. I don’t usually read Daredevil comics, but his cameo in this issue alone makes me want to read more. Daredevil’s dialogue with Bloodline about being a hero rivals Uncle Ben’s famous quote and adds perspective on the morality and sacrifice of being a hero. Daredevil also has protective instincts over Brielle, emphasizing the core family theme in this issue. One of the most interesting aspects of Lore’s storytelling is his portrayal of different generations of heroes (and villains) and their moral understanding of heroism. Dracula is an ancient power, who will do what he needs to preserve his life and power. Daredevil is an experienced hero who understands the sacrifice needed to do good. And Bloodline is a teenager, on the precipice of deciding her future in heroics. It’s an interesting dissection of what being a hero means and Lore characterizes this perfectly.  This issue is also perfectly paced, with enough action and dialogue to progress the story without boring the reader. Each panel and line of dialogue feels completely thought through and doesn’t feel wasted, which is reassuring for such a short miniseries.

The real standout of this issue is the art by Vincenzo Carratù and the colors by David Curiel. Every panel is hauntingly beautiful, capturing the essence of a vampire-plagued New York with fog-laden streets and imposing architecture. The contrast between light and shadow enhances the sense of foreboding, setting the stage for encounters with creatures that defy the natural order. The design of Dracula himself is both chilling and charismatic. Carratù’s portrayal captures the aristocratic allure and predatory nature that has fascinated readers for generations. His armor is a smart addition, modernizing the legendary vampire lord. The Count’s presence looms large over every page he’s on, a constant reminder of his power. Carratù also does one of my favorite thing in comics: repeating images of a character moving through time and space over a single background to portray swift movement. The colors in this issue are also stunning, with a strong use of red to emphasize the Blood Hunt event. The action sequences are the best part of this issue, with dynamic poses and panel organization that make for a masterclass in comic art.