Supergirl #1: The Maidens of Midvale

In recent years, there’s been a trend of major tonal shifts in big-name titles, aiming to pull in readers from outside the traditional comics mold. Supergirl #1 by Sophie Campbell goes all in on that idea, bringing the character back to her Silver Age roots with a voice and visual style that leans heavily into young adult graphic novel territory—more so than anything we’ve seen in her recent runs, most of which never quite moved past her late-’90s rebirth. While this pivot might push some readers away, there’s something to be said for Campbell’s approach. It’s not just appealing—it’s executed with authenticity and care by a creator who knows her way around both young adult and action comics.

Silver Age tropes are the main tool Campbell uses to reintroduce Kara to today’s DC landscape. It’s light, it’s fluffy, and the return of long-lost devices like thought bubbles really sells the bright, classic tone they’re aiming for. Sure, the story doesn’t tap into the emotional complexity the title usually leans on, but it does tell a story that feels uniquely Kara. In its own little bubble, it’s solid—definitely the kind of thing that would stand out on a Scholastic shelf. However, in the ever-evolving, increasingly mature weekly comics market, Supergirl #1 does feel out of place.

That said, there’s not a ton to say about the story just yet. Most of the issue is spent setting up Kara’s new status quo in the town of Midvale. It’s an interesting premise, but we dive straight into a “fake Supergirl” plot that, while full of potential, doesn’t offer enough hooks to make this trope-heavy opening feel especially fresh. The potential side characters in this setting also see very little charm, but we do spend a substantial amount of time with Kara and her inner thoughts.

While very different than recent interpretations, Campbell’s voice for Kara is still well-realized and strong. She reads noticeably younger than she has in years, shifting from the rough-and-tumble older sister of the Superfamily to someone with more of a teenage vibe. Campbell’s art sells that shift well—it’s easily the standout aspect of this debut issue. The visual style nails the tone, and the colors seal the deal. Tomra Bonvillain’s work walks a fine line, blending the flat pop of the Silver Age with the lighting sensibilities of modern comics.