Superman #11: Seeing Red

Superman #11, despite its intended role as a pivotal chapter, comes across as more of a filler issue, weaving together various plotlines in what appears to be a prelude to a forthcoming mini-finale. The narrative is accompanied by a somewhat abrupt shift in art, contributing to an overall sense of disconnection that overshadows the bombastic elements that the plot promises.

Within the pages of this issue, major implications and reveals unfold concerning our ever dysfunctional Luthor family. The spotlight shines on Lena Luthor, exposing not only her secrets but also delving into the dark hidden truths that both Lex and his mother have concealed for quite some time. With Superman’s return from the past and the sins of the Luthor family now posing a threat to the future, Clark is compelled to confront Dr. Pharm and Graft in a fiery, high-stakes battle.

However, the issue grapples with an off-kilter tone. The abundance of twists and reveals gives the impression of a rushed and somewhat hokey narrative. The focus shifts from the Luthors to something else, and then abruptly to a significant Superman battle, creating a disjointed and unengaging narrative. The issue seems overwhelmed by an excess of plot points, with an artist switch further diminishing the impact of Williamson’s plot beats. It becomes evident that the urgency to lead into the upcoming event overshadows the storytelling team’s ability to take their time and allow certain elements to breathe. The result is a jarring departure, almost as if the issue belongs to a different comic run, lacking the character depth that has endeared readers throughout this series.

Despite these concerns, the visual aspects of the issue are well-realized. Even though the artistic style may not align perfectly with the plot’s tone, the layouts are strong and dynamically complemented by Rex Lotus’ exceptional coloring. Brian Baldeon’s artistic prowess, while commendable in other contexts, somewhat detracts from the overall experience in this particular storyline, despite his generally solid work.The issue does still maintain all the best qualities of Williamson as a writer as well, and although it has its problems they aren’t problems that endanger the overall run’s quality. The execution and pacing of the issue is what’s detrimental but only to the issue on its own. It’s still a fun, enjoyable read, but ti feels more sugary and less substantial and well-crafted than the rest of the run has.