Superman: Son of Kal-El #14: The Kids Are All Right

This issue was all about the preparation: Jon assembles a rag-tag team of teens whose wide-array of superpowers dramatically improve their chances of dismantling the tyrant’s machines. Or rather, they would improve Superman’s chances of success if they could just stop squabbling for five minutes.

The premise of this story is a trope (one as old and worn as an old silk hat) but there’s a bit of magic in it. The clashing characters, joined by a singular goal, greatly contribute to the entertainment factor. I especially love Osita’s take no prisoners attitude — and giant, extremely competent muscle-ladies are perishingly rare in comics. There were also lots of fun little moments peppered in about the plot, such as Jay intentionally misinterpreting Jon’s ring presentation and Robin’s entrance, springing out of the shadows — on a freaking submarine— was both hilarious and totally appropriate for his character.

I have to say that the queer representation in this book is incredibly refreshing. Seeing Wink and their partner The Aerie team up with Jon and Jay really made my day. Tom Taylor was operating on his high gear setting on this book, and I loved every second of it.

Cian Tormey’s line work was as expressive as ever: the scenes he rendered were tender, hilarious, and action packed. Federico Blee’s color work added stunning depth and nuance to already beautiful work. Every time I see their names on a book I get excited about reading it.

This was a fun, fraught, beautifully rendered story peppered with memorable characters and fueled by a high-octane plot. I cannot wait to see what happens next.