What’s New in Home Video & Pop Culture – November 25th, 2025 – The Conjuring, Snowden, Howard’s End, TMNT, Werner Herzog & More!

What’s New in Home Video & Pop Culture – November 25th, 2025

It’s another week jam-packed with releases, including some critically acclaimed films, some hidden gems, and some great new graphic novels! Read on for all the details!

In This Week’s Column:

• The Conjuring: Last Rites (4K Ultra HD + Digital)
• Snowden (4K Ultra HD + Blu-ray)
• Burden of Dreams (4K Ultra HD + Blu-ray)
• Howard’s End (4K Ultra HD + Blu-ray)
• Coyotes (Blu-ray)
• A Hyena in the Safe (Blu-ray)
• Secret Mall Apartment (Blu-ray)
• Harley Flanagan: Wired for Chaos (Blu-ray)
• Teenage Mutant Ninja Turtles: The IDW Collection – Volume 8 (Graphic Novel)
• Dying is Easy (Graphic Novel)

The Conjuring: Last Rites (4K Ultra HD + Digital)

Official Synopsis:

Vera Farmiga and Patrick Wilson reunite for one last case as renowned, real-life paranormal investigators Ed and Lorraine Warren in a powerful and spine-chilling addition to the global box office-breaking franchise. Experience the case that strikes at the core of Ed and Lorraine’s mission and attacks the very heart of the Warren family… their daughter, Judy (Mia Tomlinson).

The Movie: 

I’ve never been the biggest fan of The Conjuring film universe. The actual Conjuring movies I always thought were pretty decent but nothing all that special, and all of the various spin-offs like the Annabelle movies and whatnot really haven’t done all that much for me. So I went into The Conjuring: Last Rites with pretty limited expectations. 

And maybe that’s the secret to liking the franchise more: lowered expectations. Or maybe The Conjuring: Last Rites is simply a better film than the previous ones, but for whatever reason, I really enjoyed this — presumably last(?) — entry in the series. 

The film has two stories that don’t really intersect (outside of a connection foreshadowed in the film’s prologue) until past the halfway point. One story focuses on Ed and Lorraine Warren and their now-grown daughter, who shares Lorraine’s sensitivity to the dark side of things. The other story focuses on the Smurls, a multigenerational family living in a house that has been taken over by a dark force. With Ed’s heart attack keeping him out of the line of fire, it takes a while before the Warrens and the Smurls cross paths. 

While leading up to the film’s climax, we get a lot of creepy moments, and some genuinely chilling ones. Sure, we’ve seen most of it before, but a lot of it was still effective. If I had a phone with a cord on it still (the film takes place in 1986), I’d be throwing it in the trash right now. Ultimately, between the parallel stories, the focus on the characters, and the film’s effective moodiness, I enjoyed this one quite a bit.

The 4K Video/Audio:

The Conjuring: Last Rites gets a 4K Ultra HD release, and it looks quite good overall from a transfer perspective. The film has a lot of darker and nighttime scenes, but shadow delineation is strong and the onscreen action is never obscured. Color saturation is harder to gauge, as the filmmakers use a lot of filters and lighting to give the movie a warm amber glow – presumably to indicate it takes in the past – during thew non-nighttime scenes. Imagery is crisp and clear at all times. The surround soundtrack has a decent amount of activity to work with and it makes the most of it, featuring strong directional effects and an immersive soundfield, plus a nice, solid bass channel that really anchors the scary bits. It’s a very strong A/V presentation overall.

The Bonus Features: 

• Last Rites: An Era Ends
• The Conjuring: Crafting Scenes/Scares
• Michael Chaves: Believer

Digital Copy Included: Yes

Snowden (4K Ultra HD + Blu-ray)

Official Synopsis:

Academy Award-winning director Oliver Stone (JFK, Born on the Fourth of July) tackles the most important true story of the 21st century. Snowden, the politically-charged thriller reveals the incredible, untold personal story of Edward Snowden (Joseph Gordon-Levitt, Inception, Looper), the controversial figure who exposed shocking illegal surveillance activities by the National Security Agency and became one of the most wanted men in the world. A hero to some and a traitor to others, the provocative story of what led him to that fateful decision makes for one of the most compelling stories in recent history.

The Movie: 

Joseph Gordon Levitt and Shailene Woodley star in Oliver Stone’s biopic of the American whistleblower who earned the ire of the American Government after leaking classified secrets that he thought the world should be privy to. The film has been available on home video previously, but this week it makes its 4K Ultra HD debut courtesy of Shout Factory. 

Now, I’m not the biggest Oliver Stone fan in the world, but he does know how to make good movies on occasion. And while he has still never reached the heights of Wall Street in my opinion – it’s one of my favorite movies and hands-down my favorite Stone film — Snowden is a pretty good flick overall. The acting is excellent and the supporting cast (Zachary Quinto, Timothy Olyphant, Melissa Leo, Tom Wilkinson, Rhys Ifans, Joely Richardson, and Nicolas Cage) add a lot to it. The Snowden story is a pretty interesting one, and watching it through Stone’s filter may not be documentary-level realism, but it makes for an engaging film experience.

I had reviewed Snowden when it came out on home video the first time, but honestly, I’d forgotten pretty much everything about it, so it was interesting to revisit it, especially in the current political climate. I can’t say for sure that has anything to do with the timing of this new release, but it certainly doesn’t hurt. 

The 4K Video/Audio:

Shout Factory’s new 4K Ultra HD release of Snowden looks and sounds very good in the premium format. The color saturation is strong but not quite what I would call overly vibrant, as the film has a lot of grey or neutral tones defining the look of the picture. The predominant look and feel of the film is meant to be kind of dreary to reflect the action on screen, and that’s captured well. Image clarity is sharp, however, and the overall effect is quite strong. The surround soundtrack isn’t the most immersive ever, but it does a great job of bringing the action and dialogue into your living room. Meanwhile, the powerful bass channel ensure there’s an occasional rumble through your bones. All in all, this is a very good A/V presentation.

The Bonus Features: 

• Interview with Oliver Stone
• Interview with Producer Moritz Borman
• Interview with Co-Editor Alex Marquez
• Interview with Producer Eric Kopeloff
• Interview with Cinematographer Anthony Dod Mantle
• Finding The Truth Featurette
• Snowden Q&A: An Interview with Edward Snowden, Oliver Stone, Joseph Gordon-Levitt and Shailene Woodley
• Deleted Scenes

Digital Copy Included: No

Burden of Dreams (4K Ultra HD + Blu-ray)

Official Synopsis:

For nearly five years, acclaimed German director Werner Herzog desperately tried to complete one of the most ambitious and difficult projects of his career: Fitzcarraldo, the story of one man’s attempt to build an opera house deep in the Amazon jungle. Documentary filmmaker Les Blank captured the unfolding of this production, made more perilous by Herzog’s determination to shoot the most daunting scenes without models or special effects, including a sequence requiring hundreds of Indigenous locals to pull a full-size 320-ton steamship over a small mountain. The result is an extraordinary document of the filmmaking process and a unique look into the single-minded mission of one of cinema’s most fearless directors.

The Movie: 

Fitzcarraldo is a fascinating and somewhat flawed movie by the legendary Werner Herzog that might just stand as the ultimate encapsulation of what makes the director so infamous. After all, it is the film in which he tells the story of an obsessed businessman engaging hundreds of natives in South American to pull a steamboat over a mountain… by having hundreds of natives in South America pull a steamboat over a mountain for real!

Of course, there’s more to it than that, all of which I chronicled in Les Blank’s outstanding documentary Burden of Dreams, which hits home video this week courtesy of The Criterion Collection (offering up 4K and Blu-ray versions of the film.) Blank spent the five years it took Herzog to make Fitzcarraldo documenting the director’s journey to get the film made. That includes some rare footage with original cast members Jason Robards and Mick Jagger, who are of course nowhere to be seen in the final film. It also gives us insights into how Herzog managed to get that steamship over that mountain, and some of the behind-the-scenes footage is as incredible as what ended up in the final cut. 

I like Fitzcarraldo but I find it a bit too long and a bit slow in some places. Burden of Dreams, however, at a brisk 90 minutes, is every bit as fascinating a film and is a highly recommended watch. 

The 4K Video/Audio:

Now, Burden of Dreams is a full-frame documentary from the early 1980s, so obviously it’s not going to look like a modern day blockbuster, even in 4K Ultra HD. But the audiovisual presentation (all supervised by Blank’s son) is still quite impressive. There is a healthy amount of film grain, to be expected when the source material was shot on 16mm, but image clarity still feels sharp and clear. Colors are limited by the source material, but honestly, the film looks great and, well, properly documentary-like. The soundtrack comes in its original 1.0 mono version, but also offers up a 5.1 surround option that allows the sounds of the jungle to fill in the background while centering the dialogue, and it’s a great end result. 

The Bonus Features: 

• Alternate uncompressed monaural soundtrack
• Audio commentary featuring Les Blank, editor and sound recordist Maureen Gosling, and Fitzcarraldo director Werner Herzog
• Interview with Herzog
• Werner Herzog Eats His Shoe (1980), a short film by Blank
• Deleted scenes
• Behind-the-scenes photos taken by Gosling
• Trailer
• PLUS: An essay by film scholar Paul Arthur and a book of excerpts from Blank’s and Gosling’s production journals

Digital Copy Included: No

Howard’s End (4K Ultra HD + Blu-ray)

Official Synopsis:

One of Merchant Ivory’s undisputed masterpieces, this adaptation of E.M. Forster’s classic novel won three Academy Awards®, including Emma Thompson for Best Actress. A saga of class relations and changing times in an Edwardian England on the brink of modernity, the film centers on liberal Margaret Schlegel (Thompson), who along with her sister Helen (Helena Bonham Carter), becomes involved with two couples: wealthy, conservative industrialist Henry Wilcox (Anthony Hopkins) and his wife Ruth (Vanessa Redgrave), and the downwardly mobile working-class Leonard Bast (Samuel West) and his mistress Jackie (Nicola Duffett). The interwoven fates and misfortunes of these three families and the diverging trajectories of the two sisters’ lives are connected to the ownership of Howards End, the dying Ruth’s beloved country home. Howards End is a compelling, brilliantly acted study of one woman’s struggle to maintain her ideals and integrity in the face of Edwardian society’s conformist values. Cohen Film Collection is proud to present a gorgeous 4K restoration from the original negative, overseen and approved by director James Ivory and cinematographer Tony Pierce-Roberts.

The Movie: 

I’ll admit that the Merchant Ivory productions, as critically acclaimed and well-loved as they are, have never really been my cup of tea. I watch a pretty wide variety of types of movies, all genres and formats, but period dramas have always been my kryptonite. I just generally don’t love them. 

However, I hate having gaps in my movie-watching knowledge, so I sat down with Howard’s End – making its debut on 4K Ultra HD from Cohen Film Collection this week — to see what I had been missing. Turns out, it’s exactly what I expected it to be: supremely well-acted, relatively entertaining, and a little slow in places. I mean, Anthony Hopkins and Emma Thompson are superb, and their presence alone carries the film. Can I say I loved the movie? No. But am I glad I watched it? Absolutely. There’s no doubt that this is a quality film, even if it ultimately still falls under the category of “not quite my thing.” 

This new 4K Ultra HD version of Howard’s End includes excellent packaging and some great extra features, so it’s a worthy purchase for fans.

The 4K Video/Audio:

Howard’s End was not a big-budget blockbuster to begin with, but the 4K Ultra HD presentation offers up a nice audiovisual upgrade. Image clarity is nice and sharp and the print is free of any blemishes or artifacts, and that’s what you would hope for. The color saturation is solid, with some moments where some real vibrancy shines through, and the film has a nice, warm tone to it that gives it a lot of life. The surround soundtrack focuses mostly on music and dialogue, both of which sound great, and the soundfield that’s created results in a nice atmosphere without being overly active.

The Bonus Features: 

Audio Commentary by Film Critics Wade Major and Lael Lowenstein

BLU-RAY DISC 2 BONUS FEATURES

• Returning to Howards End: James Ivory in conversation with Laurence Kardish

• Interview with James Ivory and Vanessa Redgrave

• Q&A with James Ivory

• 1992 Behind-the-Scenes Featurette

• Building Howards End

• The Design of Howards End

• James Ivory Remembers Ismail Merchant

• Original Theatrical Trailer

• 2016 Re-Release Trailer

Digital Copy Included: No

Coyotes (Blu-ray)

Official Synopsis:

Trapped in their Hollywood Hills home, a family fights for survival when caught between a raging wildfire and a pack of savage coyotes.

The Movie: 

Justin Long and Kate Bosworth bring some star talent to the fun but flawed creature feature, Coyotes. The film sees the actors play a husband and wife who are already dealing with a disaffected teenage daughter and a trashy neighbor when windstorms in the Santa Ana Hills whip up trouble. With packs of wild coyotes going on the attack, the family must find a way to survive when they’re cut off from all help around them.

Now, that’s the kind of premise that gets my attention. I love survival thrillers, I love creature features (whether real or fictional creatures), and I love disaster movies, so when you mix the three together, my curiosity is piqued. Coyotes isn’t a slam dunk, but it’s more enjoyable than not. Long and Bosworth are both good in their roles, acting against mostly-CGI coyotes (who look pretty good for what is presumably not the highest-budgeted film in the world) and the pacing is fast, keeping you engaged for the film’s 90-minute running time. 

The script is a bit hit or miss. There are some great character moments and some funny dialogue; the film borders on being a comedy/thriller. But there is also a bit of crass, lowest-common-denominator humor that somehow falls short of having enough bite to really land. Either commit to the R-rated humor and go all the way with it, or leave it out, but don’t try and get away with both. That said, the movie is a quick and enjoyable watch, and I had fun with it. 

The Bonus Features: 

• Meet the Pack – An engaging 18-minute making-of featurette. 

Digital Copy Included: No

A Hyena in the Safe (Blu-ray)

Official Synopsis:

Six robbers meet split their loot but before they can even get to it, they are mysteriously killed. One by one.

One safe. Six keys. Six robbers, each expecting their cut of a diamond heist when they finally meet to divide their spoils after months in hiding. But before they can open the safe that guards their glittering hoard, they are mysteriously killed, one by one. With fear and suspicion growing among the shrinking group of survivors, it becomes clear that one of them is trying to take all the diamonds for themselves!

Directed and co-written by Cesare Canevari (MATALO!), “A Hyena in the Safe” is a remarkable caper/giallo crossover filled with dark humor and moments of psychedelic glory. The fallout from this heist will make your head spin with its inventive, over-the-top deaths and a free-spirited attitude that only the flamboyant 60s could produce. Celluloid Dreams is proud to present this beautifully restored version, bringing the film to high definition for the first time.

The Movie: 

I don’t always expect a lot out of foreign films that were made over 50 years ago. I mean, sure, there were a lot of seminal and important films that would fit into that category, but it’s not really the go-to genre to get me excited personally. But this week I had the chance to sit down with A Hyena in the Safe, a new Blu-ray release from boutique distributor Celluloid Dreams, and I was duly impressed. 

The film is a low-budget affair that is heavily inspired by Agatha Christie’s groundbreaking story, And Then There Were None, but set in a heist/thriller setting. A group of thieves meet up at a remote location to divide their spoils, all of which are locked in a safe that only their multiple keys can open. But then the thieves start dying one by one, and it becomes a question of who will survive and will they get the spoils?

The cast is largely made up of unknowns, but the film is taut and exciting. The cinematography was much better than I expected it to be for a 1968 low-budget Italian movie, and it adds a lot to the proceedings. The story keeps you guessing until the end, and I found it all quite enjoyable. 

Wrapped up in a fantastic new package by Celluloid Dreams, this Blu-ray release not only gives us a little seen cult classic foreign film, but it adds in sharp packaging and noteworthy bonus features as well. A terrific home video release over all. 

The Bonus Features: 

• Audio Commentary with film critic Guido Henkel
• 7 Guests for a Massacre – A nearly hour-long retrospective documentary
• Schrödinger’s Diamonds: The Duplicitous Mystery of Hyena in the Safe – A new video essay by Andy Marshall-Roberts titled that runs over half an hour
• The Mysteries of Villa Toeplitz featurette
• Image gallery
• Theatrical trailer 

Digital Copy Included: No

Secret Mall Apartment (Blu-ray)

Official Synopsis:

In 2003, eight Rhode Island artists created a secret apartment inside the busy Providence Place Mall and lived there for four years, sneaking in furniture, tapping into the mall’s electricity, constructing walls, and even smuggling in more than two tons of cinderblock, filming everything along the way. More than just a wild prank, the apartment became a deeply personal expression of defiance against local gentrification, and a boundary-pushing work of public/private art in which large-scale charitable art projects were planned, including, finally, a 750 square-foot middle finger to The Man.

Featuring never-before-seen footage of the space and revealing the participants for the first time, SECRET MALL APARTMENT is more than just a bonkers true story. Documentarian Jeremy Workman (The World Before Your Feet, Lily Topples the World) delivers a poignant exploration of a group of artists who discovered their purpose within the most commercial and improbable places.

The Movie: 

I’m not gonna lie, when I first saw the title Secret Mall Apartment, I thought I was in for a horror movie or at least a thriller of some sort. I was then, naturally, quite surprised, when it turned out to be a documentary about exactly what the title states: a secret mall apartment. In the early 2000s in Rhode Island, a group of artists, led by the de facto “main character” of the film, Michael Townsend, were pushed out of their homes for a new and gigantic mall that was being built. Discovering a sort of forgotten and unmapped area of the mall in the bowels of the building, Townsend and seven other artists moved into and furnished a 750-square-foot room, living there undiscovered for three years. 

It sounds made up, yet the film documents the various ways they managed to get by through a combination of interviews, original video and photos from back in the day, and a few recreations to give a better sense of what the secret mall apartment looked like. 

The film also has a subtext about the artists and their art and what it all means, but it never becomes pretentious or overblown. Mostly it focuses on Townsend and his cohorts, the logistics of how they built up the apartment and avoided getting caught, and the tensions that arose in and around the space. Its honestly quite fascinating and it makes for a much more interesting film than a horror or thriller low-budget flick would have been. 

The Bonus Features: 

• Q&A Featurettes with Executive Producer Jesse Eisenberg & Director Jeremy Workman
• The Mall and the Movie Mini-Doc
• On the Marquee Photo Montage
• Deleted and Additional Scenes
• Jesse Eisenberg Reads Letterboxd Reviews
• Jesse Eisenberg & Michael Townsend in Conversation
• Recreation Set Timelapse
• Michael Townsend Tape Art Featurette
• Trailer & Promos

Digital Copy Included: No

Harley Flanagan: Wired for Chaos (Blu-ray)

Official Synopsis:

A film about the extraordinary life of a Punk Rock/Hardcore legend and the founder of the Cro-Mags, who burst onto the Punk scene in 1979 at age 11.

Harley Flanagan is a Punk Rock/ Hardcore legend, known as the father of New York City Hardcore and the founder of the pioneering band Cro-Mags. He has had a cult following since the 80s. While Harley’s journey as a musician is certainly explored, Wired for Chaos centers on the lasting effects of neglect, sexual abuse, drugs, violence and the integration of PTSD into his present-day life. This is a film about an extraordinary life, and the survival of astounding circumstances against crazy odds. As Harley visits his friends throughout the film (Flea, Henry Rollins, Roger Miret, Keith Morris, Daryl Jennifer, Michael Imperioli, Matt Sera, Jocko Willink, Renzo Gracie, and the late Anthony Bourdain – to name a few), a layered, complex portrait of life in the late 70s/80s Punk and Hardcore scene set in the violent, drug-filled Lower East side emerges.

The Movie: 

There are not just one, not two, but three documentary releases this week, and Harley Flanagan: Wired for Chaos is the final one in our rundown. It’s also a completely different kind of film than either Secret Mall Apartment or Burden of Dreams. Harley Flanagan: Wired for Chaos is a biographical documentary, focusing on the titular Harley Flanagan, who naturally I’d never heard of before. 

Now to be fair, I’d never heard of him because he is famous in a circle of music I don’t veer into overly often, the hardcore/punk scene, of which I only have a passing familiarity of the more mainstream acts. But Flanagan literally got his start at age 11, drumming for a punk band, before going on to become one of the more famous/infamous personalities in the scene. 

The film boasts the usual mix of video footage, photos, and interviews, and there are some musical luminaries mixed among the interviewees, including Flea, Henry Rollins, and even Anthony Bourdain. All of this adds up to give us a pretty complete picture of Flanagan as both a person and a legend. It’s warts-and-all in its approach, not seeking to lionize Flanagan but simply rather to tell his story, and the whole story. It’s pretty fascinating stuff, even if you’re not a fan of his music. 

The Bonus Features: 

• Cro-Mags Live at Hellfest 2022
• Flea: Extended Conversation
• Anthony Bourdain: Extended Scene
• Henry Rollins on Hardcore
• Michael Imperioli on Harley
• Drawn to Hardcore
• Lamont: The Subway Cellist
• 40-minute interview with Carlos Ramirez

Digital Copy Included: No

Teenage Mutant Ninja Turtles: The IDW Collection – Volume 8 (Graphic Novel)

Official Synopsis:

Presenting the complete TMNT stories in recommended reading order, including one-shots, crossovers, and event series. Everything a beginner could need, everything a diehard could want.

Bebop and Rocksteady stumble across a time-travel scepter, kickstarting the craziest, most destructive adventure yet! Then, when a mysterious new mutant targets Baxter Stockman, it will be up to the TMNT to reluctantly save him, but little does anyone know that a larger trap is being laid by a new arch-foe. Plus, Donatello reboots a new and improved Metalhead, only to find that the robot no longer functions entirely as designed.

Collects the Bebop & Rocksteady Destroy Everything miniseries, Teenage Mutant Ninja Turtles Universe issues #1–8, and Teenage Mutant Ninja Turtles issues #65–66.

The Book: 

This week, we have the eighth volume in the terrific Teenage Mutant Ninja Turtles: The IDW Collection series. This massive tome continues the collection of the IDW series (and all its various spin-offs) in chronological order, which is both a huge undertaking and a much appreciated one, especially the inclusion of all the spin-offs and miniseries.

This entry includes issues #65 and 66 of the ongoing series by Tom Waltz, Kevin Eastman, and Mateus Santolouco. That’s not a huge run from the mothership book, but those are supplemented by the first eight issues of the TMNT Universe series, which features a main story by Paul Allor and Damien Couceiro as well as back-up stories featuring a variety of legendary creators, not the least of which include Kevin Eastman, Bill Sienkiewicz, and Michael Dialynas, among others. Finally, the Bebop & Rocksteady Destroy Everything miniseries is included in its entirety, with a powerhouse creative team that includes Ben Bates, Dustin Weaver, Sophie Campbell, Giannis Milonogiannis, Nick Pitarra, Ryan Browne, and Damian Couceiro.

I’ve been fairly upfront over the years in admitting that I’m not the biggest fan in the world of the IDW inception of the Ninja Turtles overall. I don’t hate it or anything, I just don’t love all the choices the storytellers have made with the TMNT universe over the years. That said, I do find that diving into the universe in these big chunks with everything presented in order is the best way to digest the entire saga. This is another worthwhile collection for TMNT fans from IDW!

The Specs: 

• Publisher: IDW Publishing
• Format: Softcover
• Page Count: 344 pages
• Cover Price: $39.99

Dying is Easy (Graphic Novel)

Official Synopsis:

Comedy is hard…but dying is easy! From the New York Times bestselling author of Locke & Key comes this graphic novel mystery!

Meet Syd “Sh*t-Talk” Homes, a disgraced ex-cop turned bitter stand-up comic turned…possible felon? Carl Dixon is on the verge of comedy superstardom, and he got there the dirty way: by stealing jokes. He’s got a killer act, an ugly past, and more enemies than punchlines. So when someone asks Syd Homes how much it would cost to have Dixon killed, Syd isn’t surprised in the slightest. But, once he’s accused, he’s on the run and it’s going to take all of his investigative chops to suss out the real killer before he gets caught. This crime thriller by writer Joe Hill and artist Martin Simmonds follows in the tradition of fair-play mysteries, inviting readers to solve the murder before Syd does!

The Book: 

Comedy can be hard to pull off in a comic book, but stand-up comedy is even harder to get right, because stand-up jokes don’t always translate to the written word particularly well. I was a little worried after the first two or three pages of Dying is Easy, because I didn’t find the stand-up act of lead character Syd Homes all that funny on paper. But of course, that was setting the stage for the larger story, and that’s where author Joe Hill (NOS4A2) and artist Martin Simmonds (The Ministry of Truth) begin to shine. 

Very quickly, the story turns into a mystery/thriller/whodunit, and it isn’t long before you’re wrapped up in trying to figure out who killed Homes’s archrival comedian. Simmonds’ artwork really fits the tone of the story (even if occasionally some of his characters can look a little same-y) and Hill knows how to pace the tale so that you’re drawn along into the mystery right from the cliffhanger ending of the first issue. 

I hadn’t heard anything about Dying is Easy nor did I know much about it, but I had a great time diving into it and it’s a terrific read if you want a break from superhero comics. 

The Specs: 

• Publisher: IDW Publishing
• Format: Softcover
• Page Count: 144 pages
• Cover Price: $17.99